“The Etymology of Precisely Nothing” & “Arson” – Satya Dash

The Etymology of Precisely Nothing

Kintun, my nickname.

                                  What does it mean?

Nothing.

             Often a miracle precedes nothing.

Fog precedes      a miracle. Boisterous

and silent,

               all at once. Oxy

–moronic is the sweetness      of a pudding

                 called miracle. My name is your

thought. We’re thick longitudes that insisted

on elongation—

                     pinstripes of milk     blooding

    the first syllable       then aching into silk.

Radius,    yours and mine, of giant sequins

on verdant bedsheets    touching

at the point        an ecstatic tangent runs

through, illuminated in the X-ray-like 4 am

light permeating

                                  the room’s dark musk.

The second syllable    like a long lull,

a melodic stretching of the senses:       Raga.

              Your chords are perhaps mine too.

Feeling encloses the senses

                        like warm air inside an igloo

against the backdrop of seas

and seasons.     Inside we mirror intricately,

often naively both brilliance

                and shock, approaching

                     that certainty of contradiction,

the brimming flood     in the last syllable—

                                                              circle.

Arson

The day would come when there would be no sun, they said.

Flowers would grow tiny flapping mouths for expressing

pleasure, they said— outlets of gusto without which pleasure

alloys into mere productivity. Faces would italicize, they said,

with watercolours edging borders into vulnerability like in a

Dali painting. In the sunless world, you could communicate if

you spoke the tongue of vulnerability. Could people really

walk on charred pavements with hearts dangling like pulsing

red leaves as if they had abandoned a heart surgery midway, I

had wondered. I guess the anesthesia did wear off when the

hills wailed and the ocean got sucked into an underworld

tornado leaving a bowl of sore desert behind. At the time, I

was at the dentist relinquishing a ravenous tooth and how it

seared having to give up the bloody cave it was born into,

while the city outside became the colour of shadow. Without

natural light, how we will recognize the hours of sleep— we

realized, they never told us. Only an outline of the unknown

was provided. The outline was ours— our bodies lying on

sooty sand like beads of a seashell necklace. We mirrored the

sky, making constellations for dinner. Breakfasts disappeared,

so did high tea. We licked crumbs off edible ferns and laughed

till our stomachs hurt. Joy seemed like a conscious transfusion

as though we were beheld to the wonder of our own laughter.

If things were beginning again while we bared our rotten teeth,

I couldn’t tell but I was sure I was on drugs until I was

vehemently told I wasn’t by the ones who first noticed the

absence of green and started planting seeds on patches of

tender loam left untouched on this burning map.

Illustration : Prapti Roy

 

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